Altar cross in the Church of the Ascension on Kizhi Island, Russia, UNESCO World Heritage Site.
Size: 70×70 cm, 2020.

Altar cross

Icon of Andrew the First Called, private collection. Size: 30×40 cm, 2022.

Icon of Andrew the First Called

Measure Icon of the Venerable Anna of Kashin
A traditional Russian measure icon, painted to match the height of the person it was dedicated to. Private collection, 50×23 cm, 2015

Icon of the venerable Anna of Kashin

Icon of the Archangel Gabriel
Private collection, 50×50 cm, 2017

Icon of the Archangel Gabriel

Free copy of the icon of Archangel Michael from the collection of the State Tretyakov Gallery, Moscow. Belongs to St. Tikhon Orthodox University of Humanities, Moscow. Size: 80×150 cm, 2018.

Free copy of the icon of Archangel Michael

Icon of Saint Demetrius of Thessaloniki, the Great Martyr, made for the Dormition Cathedral in London, Diocese of Sourozh.
Size: 40×30 cm, 2021.

Icon of Saint Demetrius of Thessaloniki

Icon of the Donskaya Mother of God, private collection. Size: 50×60 cm, 2019.

Icon of the Donskaya Mother of God

Donskaya Icon of the Mother of God, private collection. Size: 30×40 cm, 2022.

Donskaya Icon of the Mother of God

Icons for the chapel area housing the relics of Patriarch Tikhon: Hilarion Troitsky, Metropolitan Kirill of Kazan, Seraphim Zvezdinsky, Seraphim of Uglich.
Donskoy Monastery, Moscow. Size: 30×50 cm, 2020.

Donskoy Monastery

Icon of the Entry of the Lord into Jerusalem,
Private collection, 30×40 cm, 2018


The Entry of the Lord into Jerusalem

Copy of the Icon of the Mother of God Glykophilousa, late 14th – early 15th century, from the island of Crete.
Collection of the Museum of the Cathedral of Christ the Saviour.
Size: 40×30 cm, 2018.

Icon of the Mother of God Glykophilousa

Icon of the Holy Trinity, private collection. Size: 20×30 cm, 2021.

Icon of the Holy Trinity

Icon of Saint Matthew the Apostle and Evangelist
Private collection, 32×48 cm, 2015

Icon of Saint Matthew

Icon of the Mother of God Orans with Selected Saints
Free copy from the collection of the Museum of St. Basil’s Cathedral, Moscow. Private collection, 34×44 cm, 2016

Icon of the Mother of God Orans with Selected Saints

Icon of Saint Righteous John of Kronstadt, private collection. Size: 30×40 cm, 2019.

Icon of Saint Righteous John of Kronstadt

“Mernaya” Icon of Martyr Maximus of Rome (the icon’s size corresponds to the newborn’s height), private collection. Size: 52×24 cm, 2022.

Icon of Martyr Maximus of Rome

Icon of Saint Blessed Matrona of Moscow, private collection. Size: 61×48 cm, 2021.

Icon of Saint Blessed Matrona of Moscow

Icon of Saint Blessed Matrona of Moscow
Private collection, 50×60 cm, 2021

Icon of the Mother of God "She Who is Quick to Hear"
Private collection, Germany, 20×18 cm, 2016

Icon of the Mother of God "She Who is Quick to Hear"

Mother of God Orans with Selected Saints Boris and Gleb
Private collection, 30×34 cm, 2017

Mother of God Orans

 Paired Icon of Bishop Anthony of Voronezh and St. Seraphim of Sarov, private collection, 30×40 cm, 2022

Paired Icon

Icon of Saints Peter and Fevronia of Murom
Private collection, 30×40 cm, 2016

Icon of Saints Peter and Fevronia of Murom

Icon of Saints Peter and Paul
Private collection, 30×40 cm, 2016

Icon of Saints Peter and Paul

Icon of the Protection of the Most Holy Theotokos, made for the Church of St. Seraphim of Vyritsa in Klin, Reshetnikovo settlement. Size: 99×75 cm, 2016.

Icon of the Protection of the Most Holy Theotokos

Royal Doors for the Cathedral of the Icon of the Mother of God of the Sign, Moscow.
Depicting the Annunciation and the Holy Evangelists Mark, Matthew, John, and Luke.
Size: 35×25 cm, 2021.

Royal Doors

Icon of Saint Righteous Simeon of Verkhoturye
Private collection, 54×28 cm, 2017

Icon of Saint Righteous Simeon

Icon of Saint Stephen for the Deacon’s Gate of the Cathedral of the Icon of the Mother of God of the Sign.
Size: 80×200 cm, 2020.

Icon of Saint Stephen

The Holy Mandylion, painted by me as a pair for the local row of the iconostasis in the Church of the Kazan Icon of the Mother of God, Moscow, 90×100 cm, 2022.

The Holy Mandylion

Icon of Patriarch Tikhon, private collection. Size: 28×38 cm, 2020.

Icon of Patriarch Tikhon

Triptych with Selected Saints:
Icon of the Holy Martyr Daria, Icon of St. Alexei the Man of God, Icon of the Holy Martyr Tatyana.
Private collection. Icon size: 30×40 cm each, 2021.

Triptych with Selected Saints

Triptych for the Saratov Cathedral:
Icons: “The Mother of God with the Child”, “Holy Trinity”, “The Mother of God with the Child”.
Icon sizes: 70×100 cm, 90×100 cm. 2020.

Triptych for the Saratov Cathedral

Measure Icon of the Venerable Saint Sophia of Suzdal
Private collection, 53×38 cm, 2017

Icon of the Venerable Saint Sophia

Icon of the Vladimir Mother of God, private collection. Size: 30×40 cm, 2020.

Icon of the Vladimir Mother of God

Wedding icons: “Christ the Almighty” and “Virgin Mary”.
Size: 28×40 cm, 2020.

Wedding icons

Icon of the Yaroslavl Mother of God
Copy from the Vologda State Museum, private collection, 50×60 cm, 2017

Icon of the Yaroslavl Mother of God

Icon of Archangel Michael, private collection. Size: 30×40 cm, 2022.

Icon of Archangel Michael

Icon of the Twelve Apostles, private collection. Size: 50×60 cm, 2022.

Icon of the Twelve Apostles

Restoration of an Altar Cross, Early 19th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, size: 20 × 40 cm, 2018

Altar Cross

Restoration of the Icon of Bishop Tikhon, Early 20th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, size: 26 × 32 cm, 2019

Icon of Bishop Tikhon

Restoration of the Icon “Crucifixion of Christ” with an Inset Bronze Cross and Enamel. Early 19th Century.
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, size: 43.5 × 36.5 cm, 2018

Crucifixion of Christ

Restoration and retouching of a figure within a multi-figure composition, Mid-20th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, 2018

Figure Detail Restoration

Restoration and partial regilding of a wooden icon frame, 20th century

Gilded frame for an icon

Photo Fragment of the Icon of Saint Sergius of Radonezh, Early 20th Century
The gilding on the halo showed signs of blistering. During the restoration process, the gold leaf was re-adhered to the gesso layer through consolidation and gluing. Retouching and regilding were also carried out in areas of loss.

Halo Gilding Restoration

Restoration of the Icon “Three Holy Hierarchs”, Mid-19th Century
The restoration involved cleaning of the copper riza (cover), removal of darkened drying oil from the painting surface, consolidation of the ground layer, and retouching in areas of loss.
Private collection, size: 24 × 36 cm, 2018

Three Holy Hierarchs

Restoration of the Icon of Alexander Nevsky, Early 19th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, 
size: 20 × 30 cm,
2021

Icon of Alexander Nevsky

Restoration of the Icon of Jesus Christ, Mid-20th Century
The icon was received in a heavily darkened state: its surface was almost entirely covered with soot and discoloration caused by prolonged exposure to an open heat source — a hanging candle holder placed in close proximity.
During the restoration, a careful cleaning of the paint layer was carried out to remove the soot while preserving the original painting. This was followed by reattachment and consolidation of flaking paint, as well as light retouching in areas of loss. The restoration was completed with the application of a protective varnish.
Private collection, size: 30 × 40 cm, 2019

Icon of Jesus Christ

Restoration of the Icon of Saint John, Guardian Angel, and Great Martyr Barbara, Early 19th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, size: 20 × 26 cm, 2021

Saint John, Guardian Angel, Great Martyr Barbara

Restoration of the Icon of the Mother of God “Joy of All Who Sorrow”, Late 18th Century
The restoration included surface cleaning, consolidation of the ground layer, light retouching in areas of loss, and the application of a protective coating.
Private collection, size: 20 × 30 cm, 2021

Joy of All Who Sorrow

Photo Fragment from the Restoration of the Oil Painting “Lamentation of Christ”, Late 19th Century
Old varnish and darkened drying oil were removed; the paint layer was consolidated and lightly retouched strictly in areas of loss.
Private collection, size: 90 × 80 cm, 2018

Lamentation of Christ

Restoration of the Icon of Lord Sabaoth, Mid-19th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, size: 50 × 60 cm, 2018

Icon of Lord Sabaoth

Restoration of the Image of the Holy Trinity: Lord Sabaoth, Jesus Christ, and the Holy Spirit.Late 18th century.
Medallion-style image for church interior decoration.
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, size: 20 × 30 cm, 2018

Medallion

Restoration of the Icon of the Mother of God Oranta, Late 19th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, size: 30 × 40 cm, 2018

Icon of the Mother of God Oranta

Restoration of the Icon of the Mother of God “Tenderness”, Early 20th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, size: 30 × 40 cm, 2017

Icon of the Mother of God “Tenderness”

Restoration of the Icon of the Mother of God of Kazan, early 19th Century 
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, size: 30 × 40 cm, 2019

Icon of the Mother of God of Kazan

Restoration of the Icon of the Mother of God of Kazan, Saint Nicholas the Wonderworker, and Saint George the Victorious, Early 20th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, size: 20 × 30 cm, 2017

Multi-figure composition

Restoration of the Icon “Christ Pantocrator Enthroned”, Early 20th Century
The restoration included reinforcement and gluing of the wooden panel, ground application in areas of loss, light retouching, and the application of a protective varnish.
Private collection, size: 70 × 90 cm, 2021

Christ Pantocrator

Restoration of the Icon “The Fiery Ascent to Heaven of the Prophet Elijah”, early 19th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, size: 30 × 36 cm, 2018

The Fiery Ascent to Heaven of the Prophet Elijah

Restoration of the Icon “The Fiery Ascent to Heaven of the Prophet Elijah”, early 19th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, size: 28 × 36 cm, 2018

Restoration of the Icon “Resurrection of Christ” with Narrative Scenes from the Life of Christ, Mid-19th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, size: 50 × 68 cm, 2018

Resurrection of Christ

Restoration of the Icon of Saint Nicholas the Wonderworker, Early 20th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, size: 20 × 30 cm, 2019

Icon of Saint Nicholas

Restoration of the Icon of Saint Nicholas the Wonderworker, Early 20th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, size: 30 × 40 cm, 2018

Restoration of the Icon of the Mother of God with the Christ Child and Saint Sergius of Radonezh, Early 20th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, size: 20 × 36 cm, 2018

The Mother of God, Christ Child, Saint Sergius

Restoration of the Icon “Saints Granted Healing Gifts by God”, early 19th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
The entire lower part—nearly half of the icon—was abraded down to the ground layer. The narrative composition was fully reconstructed, including all saints in medallions, using iconographic analogues.
Private collection, size: 40 × 60 cm, 2018

Saints Granted Healing Gifts by God

Restoration of the Icon of Simeon the God-Receiver, Early 19th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, application of a protective varnish.
Private collection, size: 30 × 40 cm, 2020

Icon of Simeon the God-Receiver

Fragment of an Oil Painting Depicting a Six-Winged Seraph, Early 20th Century
The restoration included consolidation of the paint layer, cleaning of darkened varnish, and light retouching in areas of loss.
Private collection, 2020


Six-Winged Seraph

Restoration of the Tikhvin Icon of the Mother of God, Late 19th – Early 20th Century
The icon arrived in poor condition with significant losses in the facial areas (lichnoye), down to the wooden support.
The restoration included cleaning of the copper riza from dirt and oxidation, consolidation of the board and ground layer, ground application in areas of loss, and inpainting of missing fragments in the facial areas.
Private collection, size: 24 × 32 cm, 2021

Tikhvin Icon of the Mother of God

Restoration of Two Figures – The Mother of God and Mary Magdalene – from the “Crucifixion of Christ” Composition, Late 18th Century
These two figures are part of a carved icon featuring the Crucifixion with a central cross and four additional figures on either side. The faces of the Mother of God and Mary Magdalene were completely abraded down to the gesso layer. Only small fragments of paint and visible underdrawings on the gesso remained, which made it possible to reconstruct the approximate features. Traces of gilded halos were also preserved, leading to the decision to reapply gilding in the areas of loss.

During the restoration, the following work was carried out:
– Removal of darkened varnish and drying oil;
– Consolidation of the carved wood and paint layer;
– Partial regilding of the halos;
– Retouching of the garments and landscape at the base of the composition.

Private collection, size: 80 × 110 cm, 2021


Mary Magdalene & The Mother of God

Restoration of the Icon of the Mother of God “Unexpected Joy”, early 19th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, size: 20 × 30 cm, 2020

Icon of the Mother of God “Unexpected Joy”

Restoration of the Icon of the Mother of God “Unexpected Joy”, early 19th Century
Consolidation of the paint layer, cleaning of the paint surface, filling of losses with ground application, retouching and inpainting in the areas of loss, application of a protective varnish.
Private collection, size: 20 × 40 cm, 2019

Restoration of a Wedding Pair Icon, Mid-20th Century
The restoration included cleaning of the icon from darkened varnish, ground application in areas of loss, and light retouching where the paint layer was missing.
Private collection, size: 23 × 30 cm, 2020

Wedding Pair Icon

Head of John the Forerunner, late 19th century, private collection, size 50 × 30 cm, 2022.

Icon of Head of John the Forerunner

Icon of St. Nicholas, late 19th century, private collection, early 19th Century
The restoration involved removal of old linseed oil and varnish, consolidation of the gesso layer, inpainting of missing areas, and cleaning of the darkened silver cover. 
Private collection, size: 20 × 30 cm, 2021

Icon of St. Nicholas

Restoration of the Kazan Icon of the Mother of God, Late 20th Century
The restoration included cleaning of the copper riza, removal of darkened drying oil and varnish from the painted surface, consolidation of the paint layer, ground application in missing areas, as well as retouching and inpainting in areas of loss.
Private collection, size: 23 × 30 cm, 2021